Megan Is Missing

Megan Is Missing is a 2011 American found footage psychological horror film written, directed, edited, and co-produced by Michael Goi. The film revolves around the days leading up to the disappearance of Megan Stewart (Rachel Quinn), a popular high school student in North Hollywood who decided to meet up with a boy she was interacting with online, and the subsequent investigation launched by her best friend Amy Herman (Amber Perkins). Goi based the film on a series of real-life cases of child abduction. Marc Klaas, the founder of KlaasKids Foundation, notably endorsed the film.

Originally developed as a low-budget independent feature in 2006, the film was shot for $30,000-35,000. It did not find distribution until Anchor Bay Films gave it a limited theatrical release in 2011. The film was very controversial upon its release. Marketed as an educational film, Megan Is Missing was banned in New Zealand and has been heavily criticized by critics for its depiction of sexual violence and brutal imagery. Goi wrote the script in 10 days and shot the film over a week. Because of the graphic content, he requested that the parents of the young cast be on set during filming so that they were fully aware of their involvement in the project.

It is one of the first computer screen films. The film experienced renewed popularity in 2020 after clips of the film were shared on TikTok. Goi later issued public warnings to prospective viewers after many users began calling the film “traumatizing.” Entertainment Weekly called it “2011’s scariest horror film.” The film placed sixth in the DEG Watched at Home Top 20 Chart for Week Ending November 21, 2020.

Plot

Megan Stewart and Amy Herman are 14-year-old best friends who vanished in January 2007. Investigators assembled web-chat videos, home movies, and news reports chronicling their disappearances to bring awareness to the importance of online safety for children. Megan is a high school honors student who is popular among her peers. However, as seen in web footage on January 2, she has a dysfunctional relationship with her mother and drug addiction. Amy has a healthy relationship with her parents, and her reluctance to let go of her childhood is manifested in her adoration of stuffed toys. Despite her close friendship with Megan, Amy is a target of bullying.

To help her fit in, Megan invites her to a rave party she’s attending to celebrate Amy’s upcoming birthday. From footage found the night of the party, Amy is visibly uncomfortable and gets assaulted when she refuses to have sex with one of the men attending. Amy walks in on Megan performing oral sex on the party’s host, leaving her shocked. She later vomits on Megan’s bisexual friend Lexie while the latter is making out with another friend named Kathy. While video chatting, Megan apologizes for the bad experience and explains her first experience with oral sex, at age 10, with a 17-year-old camp counselor. On Amy’s birthday, she records a video diary of her and Megan on her new camera. Megan relates her life story to Amy and reveals that her stepfather is in prison for raping her at the age of nine. She explains that her hostile relationship with her mother is due to her never forgiving Megan for reporting him to authorities. Before she can cry, Amy quickly hugs and comforts her.

Megan is later shown video chatting with Lexie. It is strongly implied during this conversation that Lexie shares a brief sexual past with Megan and retains a crush on her. Lexie gives Megan’s social media handle to Josh, who presents himself as a 17-year-old boy from a nearby school. He only shares one picture purporting to be of himself and remains anonymous on video chat, claiming that he has a broken webcam. Despite several suspicions and contradictions, Megan finds herself infatuated with him. They agree to meet at a party, but he fails to reveal himself. She confronts him online but forgives him when he accurately describes what she was wearing and insists he is shy.

Amy begins to feel left out, and while at Megan’s house, Megan introduces her to him. Josh convinces Megan to meet him behind a diner (rather than public this time). On January 17, news reports reveal that Megan vanished and the last footage of her is from the diner’s grainy security camera, showing her being grabbed by the wrist by an indistinct older man. Amy launches an investigation into Megan’s disappearance and talks online with Josh. Lexie and Kathy notice her investigating in the area where Megan disappeared; perhaps out of guilt for introducing Megan to Josh in the first place, Lexie verbally harasses Amy. After realizing Amy suspects him, he threatens her. Subsequently, graphic images of a tortured Megan’s mouth, nostrils, and eyes forced open while immobilized in a pillory table begin surfacing on fetish forums.

While recording a video diary underneath an old bridge where she would share secrets with Megan, Amy is grabbed by a man. Investigators find her video camera in a garbage can. In unedited footage, Josh unlocks the door to a torture chamber with Amy chained to the wall. She begs for her teddy bear and he responds by making her eat food from a dog bowl without her hands. Josh later brutally rapes her, then tells her that he will let her go if she gets into a large plastic barrel to conceal his whereabouts. Amy opens the barrel and attempts to flee when she sees Megan’s decaying corpse inside. She is forced inside alongside Megan’s body and begs to live while Josh digs a large hole in a forest. He pushes the barrel in and fills it up before picking up his flashlight and walking away. The missing posters for Amy and Megan are shown and the film ends.

Cast

Amber Perkins as Amy Herman

Rachel Quinn as Megan Stewart

Dean Waite as Josh

Jael Elizabeth Steinmeyer as Lexie

Kara Wang as Kathy

Brittany Hingle as Chelsea

Carolina Sabate as Angie

Trigve Hagen as Gideon

Curtis Wingfield as Ben

April Stewart as Joyce Stewart

Reyver Huante as Bill Herman

Tammy Klein as Louise Herman

Lauren Leah Mitchell as Callie Daniels

Kevin Morris as Detective Simonelli

Production

Megan is Missing was made with a low budget, which is part of the reason for the found footage format. Goi self-financed the film as he believed that investors wouldn’t fund it due to the violent script. It was shot over a week in 2008 with a small crew of only five people and a budget of $35,000. It had “no motion picture lighting equipment, no grip equipment, no professional sound recording equipment” to have a “raw” and realistic feel to it. The vast majority of the cast were adolescents, and Goi required that their parents be on the set during filming due to the graphic nature of the film.

The majority of the cast were inexperienced or first-time actors. The casting was intentional, as Goi wanted the characters to be portrayed by non-recognizable actors for the film to have an “air of reality.” Rachel Quinn, a 17-year-old aspiring actress and dancer, was cast in the eponymous role of Megan Stewart. Amber Perkins, who had previously only done background work for television shows and commercials, was cast in the lead role of Amy Herman. This role marked her feature film debut. The role of the villain, Josh, was given to Australian actor Dean Waite.

In the controversial photographs used in the film, Quinn is legitimately wearing the torture device. Quinn describes wearing the headgear as her worst memory of filming. She attests this is because it was physically uncomfortable and mentally traumatizing when she realized what she was portraying. As the photographs are reality-based, Quinn asked Goi to show her the inspiration behind them. Upon seeing the real-life photographs she was reenacting, she began crying on the set. Quinn spent several hours having the special effects for Megan’s corpse reveal applied to her and had to wear oversized white contact lenses that essentially blinded her when shooting in the barrel. Goi was very particular about the makeup direction for Megan’s corpse. He wanted the audience to be able to tell that it’s her, that she looked realistically dead, and to show that she suffered tremendously in the process of dying.

The basement scenes were challenging for Perkins. Quinn agreed to stay on the set, making it a more comfortable environment for her. Goi has stated that Waite’s scenes were difficult to film for the actor. In particular, the rape scene of the Amy character was difficult for him, which required several reshoots. Goi recollects Waite becoming frustrated and cursing upon being told they had to refilm it. The burial scene of Waite digging the large hole in the forest was filmed in real time. Perkins ad libbed most of her dialogue in the barrel.

Reception

Film critic Alexandra Heller-Nicholas deemed the purposeful amateur cinematography as aiding in the film’s authentic feel. She notes the graphic photographs of Megan’s torture mark the film’s tonal shift and that the camera’s gaze, belonging to the heroines at the beginning of the film, being turned against them “adds to the horrific revelations.”

In a positive review for The Leaf-Chronicle (Tennessee), film critic Jamie Dexter compared the film to the Paranormal Activity franchise and The Blair Witch Project (1999) and praised the storyline. Stating, “It took days for me to shake the horrible feeling this movie left in me, but that just means it was effective in what it set out to do – show this real and plausible scenario of how internet predators work.”

In a negative review for the Oklahoma Gazette, Rod Lott criticized Goi’s characterization and handling of Megan and the acting from the rest of the cast.

Beyond Hollywood and DVD Verdict also panned the film, with Beyond Hollywood calling it “majorly disappointing” and DVD Verdict stating that they “[wished] this disc had been missing from the box”. HorrorNews.net gave a more positive review, saying that the first portion of the film “really works”, although they felt that the final twenty-two minutes “went a little overboard”.

Monique Jones of Common Sense Media gave the film a one star out of five. Jones wrote that Goi’s intended lesson within the film isn’t successful by grisly imagery (as the ending is difficult to watch for some viewers) but by the film’s early exploration of different characters’ struggles. Beyond the violent conclusion, Jones emphasizes the film’s early scenes succeed in pushing for conversations regarding online safety, healthy communication between parents or trusted adult figures and children, and reaching out for help. Jones wrote that it explores character issues in great detail, such as secrecy, a child’s (Megan’s) disregarded struggles with domestic abuse and trauma stemming from sexual abuse, peer pressure, and careless internet interactions with strangers.

Controversy

The film was controversial upon its limited release due to its graphic and exploitative depiction of violence and rape and the overt sexualization of the fourteen-year-old titular protagonist. Although, some critics have emphasized that Goi succeeds with the film having an impact.

Ban in New Zealand

In October 2011, New Zealand’s Office of Film and Literature Classification banned Anchor Bay’s release of this film by classifying it as “objectionable”. They claimed that it contained sexual violence and sexual conduct involving young people to such an extent and degree, and in such a manner that if it was released it would be ‘injurious to the public good’. They went on to say that it relished in the spectacle of one girl’s ordeal, including a three-minute rape scene. They also stated that it sexualized the lives of young teenage girls to a “highly exploitative degree”.

Legacy

Popular culture and director’s warnings

In November 2020, the film became a pop culture sensation after it went viral on the video-sharing app TikTok. The platform is where the film has its largest audience since its release. Users began posting their reactions as the film progresses, with many calling it “traumatizing”. The hashtag for the film has over 83 million views. After being informed by Perkins that the film had gone viral, Goi later issued a trigger warning for prospective viewers: “Do not watch the movie in the middle of the night. Do not watch the movie alone. And if you see the words ‘photo number one’ pop up on your screen, you have about four seconds to shut off the movie if you’re already kind of freaking out before you start seeing things that maybe you don’t want to see”. Goi stated that he made the film with the purpose of it being a “wake-up call” to parents but instead it is children who discover the film and make it resurface sporadically. The film later began trending on Twitter.

The film was released on Blu-ray on October 26, 2021 via Lionsgate (current owners of the Anchor Bay library).

Related projects

A few years after its release, a production company in Mexico approached Goi to make a Spanish language remake of the film with a Mexican cast. Goi declined the offer as he did not want to revisit the grim subject matter. Goi has stated that he has theorized making a sequel but no progress has been made due to there being “no angle” for him to take the story.

See also

Murders of Ashley Pond and Miranda Gaddis

Trust – 2010 film by David Schwimmer

References

Further reading

Heller-Nicholas, Alexandra (2014). Found Footage Horror Films: Fear and the Appearance of Reality. McFarland. p. 56. ISBN 978-0786470-77-8.

External links

Official website

Megan Is Missing at IMDb